15yrs
Nick Gray. Ex Hennessy and Porsche.
15yrs
Nick Gray. Ex Hennessy and Porsche.
Hennessy, Porsche, Nike, Land Rover and BMW hired me for the light. Now I bring that eye to architecture and interiors in Northern Ireland.
Buildings shot at the hour their elevations were drawn for. Straight verticals, twilight, submission sets.
The scheme, the material and the junctions. Kitchens, joinery and stone shot as carefully as the room.
Graded to match the stills, for your site, your award entries and your social channels.
The site, the approach and where the building sits in the land.
Recent work. Every room timed to its light and graded as one set.
Plantation shutters, herringbone oak, tan leather and a stone lamp. I shot the room in the last hour of daylight, when the sun comes low through the shutters and rakes across the grain of the floor. Stills and film share one grade.





Textured plaster, herringbone oak and a sculpted island with oak stools under glass pendants. I shot it as the sun went down over the sea, low enough to rake across the plaster and pull out its texture.





Timber cladding, green panelling, an oak worktop and a butler sink. Two shepherd’s huts and a plywood cabin on a private lake, shot at sunrise and at golden hour so the timber and the water read together.





A blush-pink kitchen, knurled brass handles, white render and a woodburner. I let the low evening sun do the work, and shot the brass close enough that it reads as warm metal rather than flat yellow.





Sage-green cabinetry, a long oak table, green velvet and white render. Shot across two visits: daylight for the rooms, sunset for the kitchen and the courtyard, all graded to one house style.





One visit. Stills, film and drone. One grade, one house.
15
7
2016
1
A driving force in Northern Ireland’s creative scene.
Read the feature →hennessy.com
Previously photographed for
The same eye that shot for global brands, now on the architecture and interiors of Northern Ireland.
Thanks. I’ll be in touch soon.