15yrs
Nick Gray. Ex Hennessy and Porsche.
15yrs
Nick Gray. Ex Hennessy and Porsche.
Light on the north coast changes by the minute. Cloud comes in off the Atlantic, clears, and the sun drops low over the sea. I shoot Portrush, Portstewart, Portballintrae, Bushmills and Ballycastle around that light.
On the coast a house is designed around the light, the view and the weather. The photographs have to show all three, and the materials that were chosen to stand up to them.
In Bushmills, The House: a living room shot in the last hour of daylight, the sun striping a herringbone floor.
In Portrush, Golden Sands Penthouse: textured plaster and herringbone oak, shot as the sun set over the sea. Also in Portrush, an apartment with a spiral staircase and an attic bedroom under skylights, both shot as the sun came in low. On the North Coast, The Cottage: a pink kitchen, brass hardware and a woodburner in evening light.
On the coast the building is only half the picture. I shoot the approach, the view from the garden and, when it helps, the house from the air, so the building is seen in the place it was designed for.
Late in the day the light comes low across the water and fills west-facing rooms. I plan the exterior and the main rooms for that hour, and fly the drone when the sea and the sky are doing the most work.
Plantation shutters, herringbone oak, tan leather and a stone lamp. I shot the room in the last hour of daylight, when the sun comes low through the shutters and rakes across the grain of the floor. Stills and film share one grade.





Textured plaster, herringbone oak and a sculpted island with oak stools under glass pendants. I shot it as the sun went down over the sea, low enough to rake across the plaster and pull out its texture.





A blush-pink kitchen, knurled brass handles, white render and a woodburner. I let the low evening sun do the work, and shot the brass close enough that it reads as warm metal rather than flat yellow.





Thanks. I’ll be in touch soon.